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	<title>Bolo的博客 &#187; Font</title>
	<atom:link href="http://blog.imbolo.com/tag/font/feed/" rel="self" type="application/rss+xml" />
	<link>http://blog.imbolo.com</link>
	<description>一个设计爱好者杂七杂八的博客</description>
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		<title>中文字形的10种常用手法</title>
		<link>http://blog.imbolo.com/10-ways-design-a-beautiful-font/</link>
		<comments>http://blog.imbolo.com/10-ways-design-a-beautiful-font/#comments</comments>
		<pubDate>Sun, 19 Apr 2009 15:06:13 +0000</pubDate>
		<dc:creator>bolo</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Font]]></category>

		<guid isPermaLink="false">http://digau.cn/?p=442</guid>
		<description><![CDATA[身在中国，logo设计中除了图形要够突出外，文字搭配也是一个很重要的因素，因为品牌最直观的表达，就是文字。但字形设计却是很多设计师最头痛的问题]]></description>
			<content:encoded><![CDATA[<p>身在中国，logo设计中除了图形要够突出外，文字搭配也是一个很重要的因素，因为品牌最直观的表达，就是文字。但字形设计却是很多设计师最头痛的问题。因为logo设计作为一个创意产业，堆砌字库里的样式，简直就是对创意两字的侮辱。本文列举了一些中文字型设计的基本手法，仅作抛砖引玉之用。<br />
1. 连接法——结合字体特征将笔画相连接的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh4.ggpht.com/_mqHDn57CquM/Ses8A38Fm6I/AAAAAAAAAU0/oSLqDzUJI_4/%E8%A5%BF%E9%A5%BC%E5%B1%8B.jpg?imgmax=800"><img class="pie-img" src="http://lh4.ggpht.com/_mqHDn57CquM/Ses8A38Fm6I/AAAAAAAAAU0/oSLqDzUJI_4/%E8%A5%BF%E9%A5%BC%E5%B1%8B.jpg?imgmax=200" alt="西饼屋.jpg" /></a></p>
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<p><span id="more-442"></span>2. 简化法——根据字体特点，利用视觉错觉合理地简化字体部分笔画的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh5.ggpht.com/_mqHDn57CquM/Ses8BWpc9VI/AAAAAAAAAVM/SDXgneGYswo/%E5%9B%9B%E5%B7%9D.jpg?imgmax=800"><img class="pie-img" src="http://lh5.ggpht.com/_mqHDn57CquM/Ses8BWpc9VI/AAAAAAAAAVM/SDXgneGYswo/%E5%9B%9B%E5%B7%9D.jpg?imgmax=200" alt="四川.jpg" /></a></p>
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<p>3. 附加法——在字体外添加配合表现标示的图形的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh3.ggpht.com/_mqHDn57CquM/Ses8BCnfjHI/AAAAAAAAAVE/uAPXEMOQqX8/%E7%8E%AB%E7%91%B0%E5%9D%8A.jpg?imgmax=800"><img class="pie-img" src="http://lh3.ggpht.com/_mqHDn57CquM/Ses8BCnfjHI/AAAAAAAAAVE/uAPXEMOQqX8/%E7%8E%AB%E7%91%B0%E5%9D%8A.jpg?imgmax=200" alt="玫瑰坊.jpg" /></a></p>
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<p>4. 底图法——将字体镶嵌于色块或图案中的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh6.ggpht.com/_mqHDn57CquM/Ses8A7d7tdI/AAAAAAAAAU8/cfORaK-sKHY/%E7%BA%A2%E9%A6%86.jpg?imgmax=800"><img class="pie-img" src="http://lh6.ggpht.com/_mqHDn57CquM/Ses8A7d7tdI/AAAAAAAAAU8/cfORaK-sKHY/%E7%BA%A2%E9%A6%86.jpg?imgmax=200" alt="红馆.jpg" /></a></p>
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<p>5. 象征法——将字体的笔画进行象征性演变的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh6.ggpht.com/_mqHDn57CquM/Ses8BgooPlI/AAAAAAAAAVU/g4Vflv-22BE/%E4%BA%8C%E8%83%A1%E7%8B%AC%E5%A5%8F.jpg?imgmax=800"><img class="pie-img" src="http://lh6.ggpht.com/_mqHDn57CquM/Ses8BgooPlI/AAAAAAAAAVU/g4Vflv-22BE/%E4%BA%8C%E8%83%A1%E7%8B%AC%E5%A5%8F.jpg?imgmax=200" alt="二胡独奏.jpg" /></a></p>
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<p>6. 柔美法——结合字体特征，运用波浪或卷曲的线条来表现的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh4.ggpht.com/_mqHDn57CquM/Ses8B1Z5apI/AAAAAAAAAVc/_XXuDxswdnI/%E8%8A%B1%E5%86%A0.jpg?imgmax=800"><img class="pie-img" src="http://lh4.ggpht.com/_mqHDn57CquM/Ses8B1Z5apI/AAAAAAAAAVc/_XXuDxswdnI/%E8%8A%B1%E5%86%A0.jpg?imgmax=200" alt="花冠.jpg" /></a></p>
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<p>7. 刚直法——用直线型的笔画来组成字体的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh6.ggpht.com/_mqHDn57CquM/Ses8CD8OMjI/AAAAAAAAAVs/jB1lcvXKaNE/%E7%8E%B0%E5%9C%BA%E7%9B%B4%E6%92%AD.jpg?imgmax=800"><img class="pie-img" src="http://lh6.ggpht.com/_mqHDn57CquM/Ses8CD8OMjI/AAAAAAAAAVs/jB1lcvXKaNE/%E7%8E%B0%E5%9C%BA%E7%9B%B4%E6%92%AD.jpg?imgmax=200" alt="现场直播.jpg" /></a></p>
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<p>8. 印章法——以中国传统印章为底纹或元素的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh4.ggpht.com/_mqHDn57CquM/Ses8CjyOwvI/AAAAAAAAAV8/27rCWQ1eiug/%E9%BE%99%E8%9B%BE%E4%B8%87.jpg?imgmax=800"><img class="pie-img" src="http://lh4.ggpht.com/_mqHDn57CquM/Ses8CjyOwvI/AAAAAAAAAV8/27rCWQ1eiug/%E9%BE%99%E8%9B%BE%E4%B8%87.jpg?imgmax=200" alt="龙蛾万.jpg" /></a></p>
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<p>9. 书法法——把中国书法融入字体设计中的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh3.ggpht.com/_mqHDn57CquM/Ses8CFbf0oI/AAAAAAAAAVk/t9j4r3qMnnc/%E7%A4%BC%E9%A5%BC%E5%A0%82.jpg?imgmax=800"><img class="pie-img" src="http://lh3.ggpht.com/_mqHDn57CquM/Ses8CFbf0oI/AAAAAAAAAVk/t9j4r3qMnnc/%E7%A4%BC%E9%A5%BC%E5%A0%82.jpg?imgmax=200" alt="礼饼堂.jpg" /></a></p>
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<p>10. 综合元素——综合使用各种风格来修饰标志的形式</p>
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<p class="pie-img-wrapper"><a class="highslide" onclick="return hs.expand(this)" rel="2009-3-2-22-30-49" href="http://lh4.ggpht.com/_mqHDn57CquM/Ses8Cd_vsbI/AAAAAAAAAV0/zhCJrNQwmEY/%E8%AF%B1%E4%BA%BA.jpg?imgmax=800"><img class="pie-img" src="http://lh4.ggpht.com/_mqHDn57CquM/Ses8Cd_vsbI/AAAAAAAAAV0/zhCJrNQwmEY/%E8%AF%B1%E4%BA%BA.jpg?imgmax=200" alt="诱人.jpg" /></a></p>
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<p  class="related_post_title">Related Posts</p><ul class="related_post"><li><a href="http://blog.imbolo.com/100-best-fonts/" title="全球100个最佳字体">全球100个最佳字体</a></li></ul>]]></content:encoded>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>全球100个最佳字体</title>
		<link>http://blog.imbolo.com/100-best-fonts/</link>
		<comments>http://blog.imbolo.com/100-best-fonts/#comments</comments>
		<pubDate>Fri, 13 Mar 2009 07:39:07 +0000</pubDate>
		<dc:creator>bolo</dc:creator>
				<category><![CDATA[Design]]></category>
		<category><![CDATA[Font]]></category>

		<guid isPermaLink="false">http://digau.cn/?p=125</guid>
		<description><![CDATA[这是德国 FontShop 网站评选的有史以来100个最佳字体]]></description>
			<content:encoded><![CDATA[<p>这是德国 FontShop 网站评选的有史以来100个最佳字体。评判基于三个标准，在 FontShop 的销量（权重40%），历史价值（权重30%），美学价值（30%），同时，所有参与评选的字体均属商业字体，不包含免费字体，操作系统内置字体，以及那些标准软件中使用的字体（ Arial， Verdana 等）。</p>
<p>100个最佳字体清单（包括设计者与设计年份）</p>
<p>1. Helvetica ［1957 &#8211; Max Miedinger］</p>
<p>2. Garamond ［1530 &#8211; Claude Garamond］</p>
<p>3. Frutiger ［1977 &#8211; Adrian Frutiger］</p>
<p>4. Bodoni ［1970 &#8211; Giambattista Bodoni］</p>
<p>5. Futura ［1927 &#8211; Paul Renner］</p>
<p>6. Times ［1931 &#8211; Stanley Morison］</p>
<p>7. Akzidenz Grotesk ［1966 &#8211; G nter Gerhard Lange］</p>
<p>8. Officina ［1990 &#8211; Erik Spiekermann］</p>
<p>9. Gill Sans ［1930 &#8211; Eric Gill］</p>
<p>10. Univers ［1954 &#8211; Adrian Frutiger］</p>
<p><span id="more-125"></span></p>
<p>11. Optima ［1954 &#8211; Hermann Zapf］</p>
<p>12. Franklin Gothic ［1903 &#8211; Morris Fuller Benton］</p>
<p>13. Bembo ［1496 &#8211; Francesco Griffo］</p>
<p>14. Interstate ［1993 &#8211; Tobias Frere-Jones］</p>
<p>15. Thesis ［1994 &#8211; Lucas de Groot］</p>
<p>16. Rockwell ［1934 &#8211; Frank H. Pierpont］</p>
<p>17. Walbaum ［1800 &#8211; Justus Walbaum］</p>
<p>18. Meta ［1991 &#8211; Erik Spiekermann］</p>
<p>19. Trinit ［1982 &#8211; Bram De Does］</p>
<p>20. Din ［1926 &#8211; Ludwig Goller］</p>
<p>21. Matrix ［1986 &#8211; Zuzana Licko］</p>
<p>22. OCR ［1965 &#8211; American Type Founders］</p>
<p>23. Avant Garde ［1968 &#8211; Herb Lubalin］</p>
<p>24. Lucida ［1985 &#8211; Chris Holmes / Charles Bigelow］</p>
<p>25. Sabon ［1964 &#8211; Jan Tschichold］</p>
<p>26. Zapfino ［1998 &#8211; Hermann Zapf］</p>
<p>27. Letter Gothic ［1956 &#8211; Roger Roberson］</p>
<p>28. Stone ［1987 &#8211; Summer Stone］</p>
<p>29. Arnhem ［1998 &#8211; Fred Smeijers］</p>
<p>30. Minion ［1990 &#8211; Robert Slimbach］</p>
<p>31. Myriad ［1992 &#8211; Twombly &amp; Slimbach］</p>
<p>32. Rotis ［1988 &#8211; Olt Aicher］</p>
<p>33. Eurostile ［1962 &#8211; Aldo Novarese］</p>
<p>34. Scala ［1991 &#8211; Martin Majoor］</p>
<p>35. Syntax ［1968 &#8211; Hans Eduard Meier］</p>
<p>36. Joanna ［1930 &#8211; Eric Gill］</p>
<p>37. Fleishmann ［1997 &#8211; Erhard Kaiser］</p>
<p>38. Palatino ［1950 &#8211; Hermann Zapf］</p>
<p>39. Baskerville ［1754 &#8211; John Baskerville］</p>
<p>40. Fedra ［2002 &#8211; Peter Bil‘ak］</p>
<p>41. Gotham ［2000 &#8211; Tobias Frere-Jones］</p>
<p>42. Lexicon ［1992 &#8211; Bram De Does］</p>
<p>43. Hands ［1991 &#8211; Letterror］</p>
<p>44. Metro ［1929 &#8211; W. A. Dwiggins］</p>
<p>45. Didot ［1799 &#8211; Firmin Didot］</p>
<p>46. Formata ［1984 &#8211; Bernd M llenst dt］</p>
<p>47. Caslon ［1725 &#8211; William Caslon］</p>
<p>48. Cooper Black ［1920 &#8211; Oswald B. Cooper］</p>
<p>49. Peignot ［1937 &#8211; A. M. Cassandre］</p>
<p>50. Bell Gothic ［1938 &#8211; Chauncey H. Griffith］</p>
<p>51. Antique Olive ［1962 &#8211; Roger Excoffon］</p>
<p>52. Wilhelm Klngspor Gotisch ［1926 &#8211; Rudolf Koch］</p>
<p>53. Info ［1996 &#8211; Erik Spiekermann］</p>
<p>54. Dax ［1995 &#8211; Hans Reichel］</p>
<p>55. Proforma ［1988 &#8211; Petr van Blokland］</p>
<p>56. Today Sans ［1988 &#8211; Volker K ster］</p>
<p>57. Prokyon ［2002 &#8211; Erhard Kaiser］</p>
<p>58. Trade Gothic ［1948 &#8211; Jackson Burke］</p>
<p>59. Swift ［1987 &#8211; Gerald Unger］</p>
<p>60. Copperplate Gothic ［1901 &#8211; Frederic W. Goudy］</p>
<p>61. Blur ［1992 &#8211; Neville Brody］</p>
<p>62. Base ［1995 &#8211; Zuzana Licko］</p>
<p>63. Bell Centennial ［1978 &#8211; Matthew Carter］</p>
<p>64. News Gothic ［1908 &#8211; Morris Fuller Benton］</p>
<p>65. Avenir ［1988 &#8211; Adrian Frutiger］</p>
<p>66. Bernhard Modern ［1937 &#8211; Lucian Bernhard］</p>
<p>67. Amplitude ［2003 &#8211; Christian Schwartz］</p>
<p>68. Trixie ［1991 &#8211; Erik van Blokland］</p>
<p>69. Quadraat ［1992 &#8211; Fred Smeijers］</p>
<p>70. Neutraface ［2002 &#8211; Christian Schwartz］</p>
<p>71. Nobel ［1929 &#8211; Sjoerd de Roos］</p>
<p>72. Industria ［1990 &#8211; Neville Brody］</p>
<p>73. Bickham Script ［1997 &#8211; Richard Lipton］</p>
<p>74. Bank Gothic ［1930 &#8211; Morris Fuller Benton］</p>
<p>75. Corporate ASE ［1989 &#8211; Kurt Weidemann］</p>
<p>76. Fago ［2000 &#8211; Ole Schafer］</p>
<p>77. Trajan ［1989 &#8211; Carol Twombly］</p>
<p>78. Kabel ［1927 &#8211; Rudolf Koch］</p>
<p>79. House Gothic 23 ［1995 &#8211; Tal Leming］</p>
<p>80. Kosmik ［1993 &#8211; Letterror］</p>
<p>81. Caecilia ［1990 &#8211; Peter Matthias Noordzij］</p>
<p>82. Mrs Eaves ［1996 &#8211; Zuzana Licko］</p>
<p>83. Corpid ［1997 &#8211; Lucas de Groot］</p>
<p>84. Miller ［1997 &#8211; Matthew Carter］</p>
<p>85. Souvenir ［1914 &#8211; Morris Fuller Benton］</p>
<p>86. Instant Types ［1992 &#8211; Just van Rossum］</p>
<p>87. Clarendon ［1845 &#8211; Benjamin Fox］</p>
<p>88. Triplex ［1989 &#8211; Zuzana Licko］</p>
<p>89. Benguiat ［1989 &#8211; Ed Benguiat］</p>
<p>90. Zapf Renaissance ［1984 &#8211; Hermann Zapf］</p>
<p>91. Filosofia ［1996 &#8211; Zuzana Licko］</p>
<p>92. Chalet ［1996 &#8211; House Industries］</p>
<p>93. Quay Sans ［1990 &#8211; David Quay］</p>
<p>94. C zanne ［1995 &#8211; Michael Want， James Grieshaber］</p>
<p>95. Reporter ［1938 &#8211; Carlos Winkow］</p>
<p>96. Legacy ［1992 &#8211; Ronald Arnholm］</p>
<p>97. Agenda ［1993 &#8211; Greg Thompson］</p>
<p>98. Bello ［2004 &#8211; Underware］</p>
<p>99. Dalliance ［2000 &#8211; Frank Heine］</p>
<p>100. Mistral ［1953 &#8211; Roger Excoffon］</p>
<p  class="related_post_title">Related Posts</p><ul class="related_post"><li><a href="http://blog.imbolo.com/10-ways-design-a-beautiful-font/" title="中文字形的10种常用手法">中文字形的10种常用手法</a></li></ul>]]></content:encoded>
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